Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Edouard Vuillard
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Edouard Vuillard

1868-1940 French Edouard Vuillard Galleries Jean-Edouard Vuillard, the son of a retired captain, spent his youth at Cuiseaux (Saone-et-Loire); in 1878 his family moved to Paris in modest circumstances. After his father\'s death, in 1884, Vuillard received a scholarship to continue his education. In the Lycee Condorcet Vuillard met Ker Xavier Roussel (also a future painter and Vuillard\'s future brother in law), Maurice Denis, musician Pierre Hermant, writer Pierre Veber and Lugne-Poe. On Roussel\'s advice he refused a military career and entered the Ecole des Beaux-Arts, where he met Pierre Bonnard. In 1885, Vuillard left the Lycee Condorcet and joined his closest friend Roussel at the studio of painter Diogene Maillart. There, Roussel and Vuillard received the rudiments of artistic training.  Related Paintings of Edouard Vuillard :. | women in the garden | Table | Madame Andre Wormser and her Children | Woman sewing Before a Garden (nn020 | Embroidery |
Related Artists:
Henri Gervex
French Academic Painter, 1852-1929.French painter. His artistic education began with the Prix de Rome winner Pierre Brisset (1810-90). He then studied under Alexandre Cabanel at the Ecole des Beaux-Arts in Paris, where his fellow pupils included Henri Regnault, Bastien-Lepage, Forain, Humbert (1842-1934) and Cormon; and also informally with Fromentin. Gervexs first Salon picture was a Sleeping Bather (untraced) in 1873: the nude, both in modern and mythological settings, was to remain one of his central artistic preoccupations. In 1876 he painted Autopsy in the H?tel-Dieu (ex-Limoges; untraced), the sort of medical group portrait he repeated in 1887 with his Dr Pean Demonstrating at the Saint-Louis Hospital his Discovery of the Hemostatic Clamp (Paris, Mus. Assist. Pub.), which celebrated the progress of medical science with a sober, quasi-photographic realism. Gervexs most controversial picture was Rolla (1878; Bordeaux, Mus. B.-A.), refused by the Salon of 1878 on grounds of indecency, partly because of the cast-off corset Degas had insisted he include. The painting shows the central character in a de Musset poem, Jacques Rolla, who, having dissipated his family inheritance, casts a final glance at the lovely sleeping form of the prostitute Marion before hurling himself out of the window. As his friend, Manet, had done the year before with his rejected Nana (1877; Hamburg, Ksthalle), Gervex exhibited his work in a commercial gallery, with great success.
Edwin Deakin
1838-1923
Loo, Jacob van
Flemish Baroque Era Painter, 1614-1670 was a Dutch painter and popularized around 1650 a close-focus concert on a loggia or terrace. So Van Loo became known for his conversation groupings with a subtle color palette, and according to Arnold Houbraken famous for his nudes. He was the founder of the Van Loo family of painters. Van Loo was born in Zeeland in the Dutch Republic. His father might have been a notary, but most time he is regarded as the son of a painter, Jan van Loo, who trained him. (As part of the city archives in Sluis have been destroyed during World War II it is impossible now to make out what is true). His early influences include Thomas de Keyser and Jacob Adriaensz Backer. In 1642, Jacob moved to Amsterdam, where his contemporaries included Rembrandt, Frans Hals, and Bartholomeus van der Helst. In 1643 he married the sister of the painter Martinus Lengele and had six children. They lived on Rozengracht, in the Jordaan and Eglon van der Neer became one of his pupils. In 1660, Van Loo fled the city after having fatally stabbed someone in his belly, during a fight in an inn. He was sentenced to death in absentia and was forever banned from the state of Holland. Van Loo settled in Paris, where he was admitted to the Acad??mie de peinture et de sculpture and where he died in 1670. Van Loo's work was done in the Baroque style, which had begun in Rome and which was becoming a Europe-wide phenomenon in this period. He was a major influence on Johannes Vermeer, when painting Diana and Her Companions. He painted portraits of Johan Huydecoper van Maarssenveen, his wife, his sister Leonara Huydecoper, married to Jan J.






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